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Curator Reviews

Robert Longo

Cyberpunk’s “On the Road,” a “consensual hallucination” of a revolutionary vision of the future. This was my introduction to William Gibson’s work, which then led me to “Johnny Mnemonic.” (As a fan of his, I contacted Gibson because I wanted to make the film “Johnny Mnemonic.”[Ed. note: Longo directed the film.]) Books are like dreams. I was eager to see what a universe like this could look like.

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Robert Longo

Cyberpunk’s “On the Road,” a “consensual hallucination” of a revolutionary vision of the future. This was my introduction to William Gibson’s work, which then led me to “Johnny Mnemonic.” (As a fan of his, I contacted Gibson because I wanted to make the film “Johnny Mnemonic.”[Ed. note: Longo directed the film.]) Books are like dreams. I was eager to see what a universe like this could look like.

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John Berendt

This dark, fast-paced novel is a visionary masterpiece. It’s populated by hackers and cyberpunks, Gibson’s creations that have since become fixtures in the electronic matrix. I first read the book in the mid-1990s, when the Internet was beginning to wrap itself around all of us, and I read it with increasing excitement—but not without some difficulty. Gibson doesn’t bother to explain his terms or lead the reader by the hand through the puzzling dislocations of his futuristic landscape. Neuromancer is pulp fiction, but it’s guided by a hip wisdom about a baffling phenomenon that was only beginning to take shape.

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