Julio Torres

At one point, I was transcribing Shattuck’s journals—I don’t know what happened with that, but as a result I feel connected to this book, which explores early 20th century Paris through the artists of the time, in a strangely personal way. Also, it’s about a writer looking at art, which is what I was doing with the 20th Century Art Book, so there’s a thread of what I like about it in the artist’s perception of art—just curating, showing, explaining, unpacking, translating from abstraction.